Course Outline for Art 13B Acrylic Painting - Beginning II
Effective: Fall 2022 SLO Rev: 08/09/2021
Catalog Description:
ART 13B - Acrylic Painting - Beginning II
3.00 Units
Projects in acrylic painting focusing on more complex and varied subject matter, media and concepts. Special emphasis is placed on the development of creative, individualized approaches to materials and content.
Prerequisite: ART 13A.
1002.10 - Painting and Drawing
Optional
Type
Units
Inside of Class Hours
Outside of Class Hours
Total Student Learning Hours
Lecture
2.00
36.00
72.00
108.00
Laboratory
1.00
72.00
0.00
72.00
Total
3.00
108.00
72.00
180.00
Measurable Objectives:
Upon completion of this course, the student should be able to:
design and produce paintings with an intermediate understanding of the physical properties and working characteristics of acrylic paint in a variety of pigments and mediums;
identify and solve intermediate pictorial problems related to traditional and contemporary representational painting methods, materials, and concepts;
experiment with and construct paintings utilizing non-traditional pictorial formats and concepts including; abstract, non-objective, multiple-panel or mixed media paintings;
produce paintings based on individual interpretation of topical assignments and problems;
develop and express conceptual and material intentions in written and oral formats and apply these to the creation of a finished series of paintings;
evaluate paintings orally and in writing using correct terminology related to concepts, materials and techniques;
critique finished paintings and receive criticism from others;
understand and apply all safety rules and precautions related to the handling, storage and disposal of all painting materials and residues.
Course Content:
Course Content (Lecture):
Physical properties and working characteristics of acrylic paint
pigments
mediums
grounds
tools
Intermediate pictorial problems
traditional
contemporary
representational
materials
concepts
Exploration of subject matter
abstract
non-objective or non-representtaional
representational
figure
landscape
Safety rules and precautions of all painting materials and residues
handling
storage
disposal of all painting materials and residues.
Course Content (Studio):
Design and produce paintings with an intermediate understanding of:
the physical properties of acrylic paint
working characteristics of acrylic paint
pigments
mediums
grounds
Produce paintings based on individual interpretation of topical assignments and problems
Develop and express conceptual and material intentions
written
oral formats
apply these to the creation of a finished series of paintings
Critique paintings
orally
writing
correct terminology
concepts
materials
techniques
Paint a variety of subject matter:
still life
landscape
figure
non-representational painting
Experiment with and construct paintings utilizing non-traditional pictorial formats and concepts
abstract
non-objective
multiple-panel
mixed media paintings
Apply all safety rules and precautions of all painting materials and residues
handling
storage
disposal
Methods of Instruction:
Lecture/Discussion
Studio
Demonstration/Exercise
Distance Education
Field Trips
Portfolio Development
Assignments and Methods of Evaluating Student Progress:
Portray motion. Paint a composition that expresses the vitality of motion or dynamic movement. As a motif, select an event, or a physical subject in movement. For example, it can be a recollection or a photographed image from a track and field event, a dance performance, a football game, a circus event, a sports car rally, a machine in motion, etc. The subject can be human, animal, or mechanical.
Make three paintings of the same subject. Use variations of color palettes, style and depth to change the viewer's perception of the subject matter.
Assigned projects, comprehension and applications of the terms and concepts of each project
Class Work
Student output
Development of craftsmanship
Overall presentation and professionalism in presenting completed painting project
Projects
Portfolios
Upon the completion of this course, the student should be able to:
Produce paintings that successfully incorporate historical and contemporary approaches to representation, creative expression,
and materials.
Develop and express conceptual and material intentions in written and oral formats and apply these to the creation of finished paintings.
Safely handle and maintain materials, studio facilities, and equipment.
Textbooks (Typical):
Smith, Ray (2009). The Artist’s Handbook DK Publishing, Inc.
Joshi, Gita (2020). Show Your Art: How to Build an Art Career Without a Gallery Independently Published .
acrylics
canvases and stretcher bars
brushes and mediums
various applicable materials
Abbreviated Class Schedule Description:
Projects in acrylic painting focusing on more complex and varied subject matter, media and concepts. Special emphasis is placed on the development of creative, individualized approaches to materials and content.